Sunday, December 21, 2008

Christmas time

Hi everyone,

I just wanted to post a blog about Christmas on the way home from Mt. Vernon this afternoon. I am not driving and I have some time to kill on my Blackberry :).

After a particularly exhausting day yesterday, I have realized some things and (I think) come to a better understanding of what it means to rely on the Lord for strength. All political correctness aside, Christmas is a time to celebrate the fact that we CAN rely on His strength. I have a tendency to overthink sometimes, and I forget to give my cares to God. This Christmas season, I want to remember to be joyful and celebrate that God can use everything for His goodness. Sometimes He allows us to make decisions with no obvious "Yes" or "No" direction from Him. In these cases, I believe, there is sometimes no wrong choice and we have to simply try and make the best decision we can. It is in these specific times of decision-making, that we really start to understand God's love for us and our freedom through Him.

So, what's the point here...

Be joyful! Celebrate God and his goodness, enjoy His word, and love people as best you can. Don't get bogged down to the point of an unsettled spirit with the worries of life. Rejoice for what you DO have and what God HAS given you.

-Jamie
(posted from Blackberry)

Tuesday, December 2, 2008

Metallica STILL rocks

Last night, I saw Metallica play at the Key Arena in Seattle, WA. It was a sold out show and there was a lot of hype and excitement about the show. I thought I'd give a short write up of what I thought. First, a brief story of how I ended up going. I have a two-fold philosophy when I buy tickets for concerts: I buy at least 2 so that I can sit next to the person I end up going with AND I figure I can always sell the tickets if I end up not going. Well, I decide about a month ago that I didn't want to go since it was on a Monday night and I wasn't a HUGE fan to begin with. Long story short, the tickets were lost which meant that only the person with the credit card used to buy the tickets originally would be able to get the replacement tickets at the will call window. So, I pretty much HAD to go. I ended up going with my friend, Drew, that I sing with in my a cappella quartet (we joked that we should start singing lovey-dovey barbershop songs amidst the metal fans). On with the review now:

The Sword (first opening band)

These guys, whom I had never heard before, were already playing when we walked into the Key to find our seats. The description from their Myspace page was very fitting, "Sounds like: ...a bunch of bison being pushed over a cliff." They were very heavy (especially the electric guitars). The drummer was very active and they had some cool start/stop rhythms that kept you guessing. The overpowering low end was extremely boomy (it tightened up considerably by the time Metallica played...probably due to more bodies in the room) and there was very little definition in the low sounds. The vocalist was pretty good, he had the highs of Robert Plant but with more grit and roughness on his voice. It seemed that at least half of each song was instrumental (probably more than that) so there wasn't a lot of singing anyway. They played 30 minutes and it was decent, but everyone was there to see Metallica so people didn't get too excited for them.

Lamb of God (second opening band)

This band I had some previous experience with. I had heard their first album and a couple of songs from their follow-up. They are QUITE heavy and have one of those vocalists who sounds like a chainsaw when he sings. Lots of grit and "heat" on his voice. LoG's lyrics are fairly dark and their name, "Lamb of God" is a parody of THE lamb of God, Jesus, and that is reflected in some of their lyrics. The band's look and sound is very menacing and the vocalist struts around with shoulder length black hair and looks around like "I DARE you not to get angry with me". He is a metalhead's dream front man. They dedicated a song to the United States' armed forces which I thought was cool and brave considering the position most bands take on that subject. They also did a new song from their upcoming album to be released in February. They played around 45 minutes and put on a better show than The Sword, but not as good as Metallica! :)

METALLICA



A few minutes after 9pm, the house lights went out and we began to hear slow, gloomy music though the massive line arrays. This was followed by a heartbeat which was our cue that their first song would also be the first track of their new album, "Death Magnetic".

It was a good 2-3 minutes before the band came out and the lights began to show them to us. The opening riff of the first song, "That Was Just Your Life" kicked off (tracked, not live) and the rest of the ban came in (live) once it got the first heavy riff. The jig was up, and lights/lasers/smoke/flames erupted. I was very impressed at the presentation part of the show. Great lighting effects with timed flashes and blasts that lined up with the music. The setlist was:

That Was Just Your Life
The End Of The Line
Creeping Death
Harvester Of Sorrow
One
Broken, Beat And Scarred
Cyanide
Sad But True
Welcome Home (Sanitarium)
Wherever I May Roam
The Day That Never Comes
Master Of Puppets
Blackened
Nothing Else Matters
Enter Sandman
- - - - - - - -
(ENCORE)
- - - - - - - -
Die, Die My Darling
Motorbreath
Seek and Destroy

I went into the show saying that as long as I heard "Nothing Else Matters" and "Master of Puppets", I would be happy. It would have been nice to hear Battery or one of the Unforgiven's (the new one?? hmm??), but that's ok. One thing that struck me was that I immediately sensed the professionalism of the band as individuals. They are true seasoned pros: ridiculously comfortable on-stage and giving tons of energy to the crowd. I also got a sense of camaraderie among them, which I didn't from the other bands. The Sword and Lamb Of God were menacing and played heavy music, but they seemed concerned about getting everyone to go crazy and there wasn't a lot of connection between the band members. Not true with Metallica. Hetfield would pair up with Hammett for guitar duets or just to rock out, and sometimes one of them would go in front of Lars as if to rock out to the acoustic sound of his drumset. I guess the overall feeling I got was they immensely enjoyed what they were doing, and that they understood that the whole crowd wasn't there just to "go crazy at a metal show" but to hear songs some have loved their whole life. It was a very special thing to witness this interaction between musicians and fans.

I have heard a lot about James' voice changing and how their playing has gotten a bit sloppy. His voice is certainly different than it was on anything up to and including the black album, and there were a few mistakes on a few songs (not that you would know it while you're there, everything is so insanely loud....I've listened to the soundboard recording). However, I'm not going to see them live to hear them the way they sounded in 1986. They are a different band now and this phenomenon happens to all the great bands in the world...they get older and sometimes they are not able to keep up 100% with the music that made them famous. As fans, we can either cling to the sound we loved and cherish that or we can embrace that they are simply rock icons and it is awesome to hear them play the old songs to some degree of goodness still. I don't think there's anything wrong with either mindset. I have chosen to like their new sound mostly because I was very, very young when they were in their hay day and my first experience with them was not until the early 90's.




My final word: If you haven't seen Metallica live before, I suggest you see them before they stop touring which I imagine will happen in the next 5 years or so. These guys are one of the first thrash metal bands and they still sounds pretty decent live so go enjoy a piece of musical history!

Tuesday, November 18, 2008

Why not go for the good stuff?

Music, that is. Why not listen to the very best? Why not listen to music that challenges you, that is innovative, that crosses genres, and that took more than a Sunday morn' to completely finish?

I used to listen to some music that I now find very weak. The more interesting music I listened to and the more I learned about it, the less often I returned to my old habits. They just didn't interest me anymore. Some people might call what I listen to avant-garde, which means "pushing of the boundaries of what is accepted as the norm or the status quo". I just call it "good".

I understand that not everyone listens to music in the same way that I do. Not everyone tries to analyze the lyrics, or figure out how to play the song technically. I know that I am different than some in that regard. But what I don't understand is why people settle for less? Would you eat a generic brand of pizza that costs $5 if a gourmet pizza with better ingredients and more variety also costs $5? I don't think so. How about coffee? Imagine choosing a bitter, stale cup of coffee that costs $4 over a freshly brewed latté for the same price. The same goes for other forms of entertainment. You wouldn't buy a DVD that has nothing on it except the movie if there was a special edition with an extra disc of features at the same price. The only place that my analogy falls short (in my favor) is that, unlike a good and bad cup of coffee, good and bad music actually DOES cost the same! Unlike the comparison of a disgustingly freezer-burned pizza and one with gourmet ingredients, music that either emasculates or massages your ears costs the same!

SO...

My point is...why do people settle for less? I have a theory.

I think people either just don't care (I've actually met people who, when asked what kind of music they like, have told me they don't really listen to any music!) or there is something personal that they connect with in the music which means the other stuff doesn't matter. I have the same experience with music I like, but I find myself so distracted and bored with 1-dimensional music that even if I connect with the words, for example, I am not able to get to that special place.

Wednesday, November 5, 2008

2008 Election

Well, I don't want to turn this into a political blog, but since this is supposed to be a blog about my life, I think politics qualify as something that's part of my life! Anyway, this will be a brief post but I want to say what I think about the presidential election results...especially as someone who lives in a very liberal state.

I am mostly a republican and, therefore, disappointed with Obama becoming elected. It worries me that there will be a liberal-dominant presence in every part of the government now, with no one there to oppose Obama on policies he wants to pass.

Some might ask, "How can you call yourself open-minded, but still be a republican?" A valid question, yet not a very open-minded one in of itself! Almost unbelievably so (read, "sarcasm"), it IS possible to be open-minded but not allow every standard you have to be changed. As a Christian, and as someone with a fairly conservative upbringing, I understand that I am influenced by my surroundings. However, even after venturing out away from those beginnings, I have come back to them because they simply make the most sense to me. I know many Christians who voted for Obama and, while I do "get it" that Obama has some good policies, I cannot get past his luke-warm position (at the very least) on some moral issues in the world today. In short, I can't vote for someone who I disagree with fervently on issues that I believe matter to God, just because I like his plans for taxes or education or economics. When this world come to an end, the monetary system, our education system, and everything we hold dear will be gone....nothing will matter except if we cared about the things God cares about.

So, that is the short version....I don't plan on blogging about politics again (I can't guarantee that about God though!). All that being said, I will not put a childish bumper sticker on my car that says "He's not my president" nor will I protest by marching down Fairhaven with anti-Obama signs. He is our country's leader now and everyone should be praying and trusting no matter who he is.

Friday, October 17, 2008

Contests

As the 3 vocal group I'm a part of gear up for next week's contest in Boise, a lot of excitement is in the air. For those not familiar with the idea of "barbershop contests", the United States and Canada are divided up into districts. In each district, there are divisions that make up that district. In my district, the Evergreen district, there are 6 or 7 divisions (I can't remember how many exactly). The first contest of the series is the division contest where choruses and quartets compete again other groups within the same division. Then, the groups that score high enough move on and compete against other groups from around the district. If you score high enough at THAT contest, then you move onto the international contest in July 2009. This cycle repeats every year and is always very fun.

Barbershop has always been very much about inciting an emotional response in the listener, whether that be an audience member, or a contest judge. Some people get wrapped up in THE CONTEST and get into "We're-going-to-sing-the-crap-out-of-our-songs-and-STOMP-everyone-else-in-the-competition" mode. That is the way it is with most competitive hobbies in life. You become the best you can and try to show off a little bit and beat other people. This is certainly true for some groups in the Barbershop Harmony Society. I am lucky enough to not be in any groups that think that way. Sure, there are a few members here and there who sometimes will make a remark about the superiority of our group, but our leadership always brings them back in line. The mindset for the groups I am a member of is usually that we should be prepared, and sing well, at the contests because it is a performance, and we are committed to singing well at performances. Some vocal groups do it just for fun, with very little attention to the craft. Others spend all their time on the craft and miss out on the fun of giving a gift to an audience participant. We try to mix both because giving due attention to the craft CREATES a better experience for the listener. If you go to the contest with that view of the judges...that they are simply evaluating your ability to move an audience effectively...it greatly decreases the amount of nervousness in your system and, I believe, gets you in a better mental place.

One of the highlights of any barbershop competition is that you can go up to some of your local singing heroes and sing a song or a tag with them, which is very cool. After the contest is over, there is usually LOTS of tag singing all around the contest venue until the wee hours of the morning. At that point, there is usually zero ego left in anyone and it's all about singing for fun. Some of the craft, at times, goes out the window because the contest is done and the need to save your voice isn't as prevalent in your mind anymore :).

A final note about ego and humility, since I do see this consistently in the world of barbershop and it can be somewhat frustrating. Perhaps some of the people that engage in that sort of thinking might read this someday! ;)



1.) It's not about you.

You've probably heard this phrase in many contexts whether it be in sermons, or motivational messages. Well, you know what? I think it applies to our hobby more than we think. Certainly, a singer needs to have a high enough level of confidence so that he can perform well. Certainly, we need to be conscious of always increasing the level of the quality that we bring to the stage...being stagnant is no fun for anyone. However, what I don't understand is how some people can just be absolutely ignorant of themselves and their own personal pride, and then wonder why they aren't being approached by prospective members in light of that. It's not about you. It's about everyone else.

2.) If it IS about you, you are detrimenting our hobby.

When someone wants to sing barbershop, and they experience being put off by another member, that affects what they think of everyone as a whole. It doesn't matter if that's not how it is, or if you were having a bad day. People make opinions about EVERYTHING in life, and all it takes is someone to say "They did OKAY, but we are better than them" and that can turn people off.

3.) Be genuine and enjoy what you are doing.

A novel concept, huh? Enjoy what we like to do? WHAT!? Some people seem to have lost the joy in what they do. Remember the reasons why we all started singing and your humble beginnings (everyone has humble beginnings, you just have to go back far enough). And, for pete's sake, be genuine. Don't stand in front of audience, freak out, do a stiffly muscled choreo move, and expect a standing ovation. People want more than that because they KNOW it's out there and it happens often so when you don't give them your heart, they know it.

Hopefully, some of this stuff will be helpful to someone!

Cya,
Jamie

Tuesday, September 30, 2008

Mt. Baker Toppers Annual Retreat 2008

This last weekend I had the opportunity to spend about 2 days with the Mt. Baker Toppers chorus that I sing with. I believe this our 4th annual retreat and every year it has been held at The Firs Chalet near Artist Point. We have a coach come up with us and we have broken out sessions of singing for both days. This year, our coach was John Rae-Grant who has a lot of singing background as well as team-building/organization background.

It was a great weekend and there were a few points that really stuck with me:

1.) There is no amount of bad singing that is good.
This basically means that any flaw in your voice or bad habit that you leave uncorrected impacts the overall sound. Don't let something "you've done all your life" hinder the advancement of the group just because it's not a "huge deal".

2.) Yesterday's excellence is the new suck.
When we get better, we don't go back. Don't be satisfied with sub-par starts, flatting, scooping when you have heard better.

3.) Give back double the amount of energy your director is giving you.
This really makes a huge impact. More than I realized. By increasing body energy and focus, your sound gets much better and the group as a whole has more life and enthusiasm in its sound.

4.) Sing all the sounds of all the words.
This concept has been talked about for a long time in the Toppers, but it's not always applied consistently. My quartet, U4eeuh, got some coaching from John after the chorus was done for the day and he basically got us to enunciate more and it cleaned up a LOT of sync problems. Amazing difference!

What I learned most was that there is ALWAYS something more to learn about singing and it's really rewarding when I put the time in to do it. A little patience is usually required too, but it pays off!

Tuesday, September 16, 2008

"Where Is Love"

This is the old formation of my quartet, U4eeuh. I thought I would post a video of me singing since I haven't done that yet. Enjoy! It's one of my favorite songs we did.

Thursday, September 11, 2008

OC Times

These guys are an amazing barbershop/acappella quartet from California. I got to meet 3 of them last year at the mid-winter convention and they were very humble and great. Their website is www.octimesquartet.com if you want to check them out there.

This is one of my favorite songs they do...specifically the ending of it (called a 'tag'). This group is really bringing youth into the choruses around the country and are a real inspiration for me and my quartet, u4eeuh (www.u4eeuh.com)

Friday, September 5, 2008

Singing is HEALTHY

Some great reading material how singing actually increases your health and makes you feel better by releasing endorphins: Healthy Singing

The information regarding sound therapy is especially interesting...who knew that different vowel sounds correspond to different areas of your body that are affected? Craaaazy.

Wednesday, September 3, 2008

"Color" lyrics

Another thing I wrote 6 months ago or so....


There once lived a young girl
who lived in a young world, but she
didn't know
that it was

A time or two, she thought things through
but it seemed like it all wasn't real

That the world, and its lot
seemed to fall, more than not
from beige to grey

One day she fell down and never thought
to look around for help from me
A color so bleak, meek, yet attentive from me

Every feeling and its hue are controlled by you,
and all I want to say, is that there's more to me
than beige and grey

Tuesday, September 2, 2008

"Her Music" lyrics

These are the lyrics to a song I wrote called, "Her Music".


Her eyes pass by,
A unknown gaze
Spanned the space to hold that thought
And write in me, that feeling
Round and round it goes
Round and round it goes
Her music plays

Her voice, so soft
Its fragrance like a lullaby
Cools my pulse, quickens my need
to close my eyes in this sapphire dream
My dream
Round and round it goes
Round and round it goes
Her music...
Her music...
Her music plays

Only a fool sings along
Only a fool sings along
I'm just a fool that sings along
I'm just a fool that sings along

You can hear it by downloading the mp3 HERE

Friday, August 29, 2008

Ernie Haase & Signature Sound

I attended a Gaither Homecoming a week ago (Friday) in Tacoma, not really knowing what to expect. I love quartet singing and gospel quartets are a new interest of mine. They are very different from barbershop for a couple of reasons:

1.) Vibrato while singing
2.) Very low bass parts
3.) Very high tenor parts, in chest voice
4.) Most of the time, they are accompanied

Anyway, I was blown away by the high level of singing the groups displayed. Below is one of the groups that I really liked. Ernie Haase has been singing professional gospel tenor for 20+ years and he's got a phenomenal range. I've seen videos of him going up to a high F in chest voice! There's something about the power in their voices that is very appealing, even if the music style is a little southern. :P

Thursday, August 28, 2008

Smashing Pumpkins - Behold the Night Mare!

The Smashing Pumpkins and, more specifically, Billy Corgan, are one of the most prolific and unique bands/musicians out there today. Anyone who knows me, knows that I love this band and their 400+ songs they have to their name.

I thought I would post a link to one of their lesser known songs, Behold the Night Mare! Supposedly the song is about his mother, who died in 1996. A very cool song, in my opinion. Everyone should listen...now.

Tuesday, August 26, 2008

"Drain The Ocean"

I decided to try a writing exercise and write 3 short phrases using "Drain The Ocean" as the first line, but each with different meanings.

Below is what I came up with:

Drain the ocean. Shift and sift the everlasting sands that weave revealing glass into windows that guide our hands.

Drain the ocean of love from your heart. Empty out the well of cool blue. Knowing where it ends is important, like the start. My flickering flame of fear knows not of its impending doom.

Drain the ocean. Flip this massive hourglass. Give the righteous safe passage through ravaged canals of earthly mammoths.

Monday, August 25, 2008

Goosebumps

No, not the kid's book series of scary tales.....This first post might be a little boring, but I think it's necessary since it demonstrates where I came from and what lens I look at things through.

I grew up in a small town and began playing the trumpet in 6th grade. It was my first musical experience being a participant, and I am very thankful that my parents chose the trumpet out of all the instruments! It was there I learned some music theory, how to read sheet music, and eventually (in high school) how to love playing. I was in the concert/classical band, jazz band, and the "pep band" which played at the school's sports games. It was amazing fun and I will cherish those 4 years of playing for the rest of my life. Those years showed me a glimpse into what music could be to me, and to other people too! It was the first time of having these kinds of goosebumps.

After graduating high school, I was trying to figure out what to do with my life and as I did that, I somehow began to play my horn less and less. I had gone through some acne medication in my senior year and it dried out my skin which included my lips (the last time I checked). My playing was impaired as a result and it was somewhat discouraging. It was around this time, one or two years after high school graduation, that I began to play guitar and sing. My mom had a borrowed, $40 acoustic guitar that she played from time to time and I decided that I wanted to try it. It was quite difficult, being so cheaply made, but I began to look on the internet for free tablatures and eventually learned how to play some of my favorite songs. I eventually bought my own acoustic guitar, and electric guitar with a *GASP* amp.

Sometime, about 6 months into my discovery of the guitar, I was in my room, most likely playing video games. My parents had check out a VHS video from the library entitled something along the lines of "Singin' Out Loud". Mario seemed more important to me, however, so I didn't pay any attention to when they were watching it. They were just about done with the video, and I was at a quiet point in my video game, when I heard something come from the living room I had never heard before. It was 4-part male harmony in an unbelievable lock that was absolutely foreign to me. I paused the game and walked out into the living room.

"What are you guys watching in there?" I asked.

"A video about barbershop singing," one of them replied.

"Oh," I stoically said.

I watched the video until the quartet on the screen had finished with some really high notes. I was intrigued. I waited until they were done, and I went back out into the living room to rewind back to that part I had seen. What was that? I thought. I watched the whole song again, then again, then again. Then I called my friend who once told me about a singing group called The Nylons, and said "I have to show you this video, these guys sing like nothing I've ever seen before." So, off I went...but the goosebumps didn't come yet.

It wasn't until months later that I would truly experience the glory of singing in harmony for the first "real" time. I downloaded all the barbershop I could find, and found videos of quartets singing. I was so impressed with the tightness of the sound...they were like instruments playing in perfect time. I started singing along in my car with all the burned barbershop CDs I had made. I always changed the CD when other people got in my car though. About 3-4 months later, I looked around online for local groups and came up with one result, the Mt. Baker Toppers. Even with this knowledge, I didn't contact anyone for another month or two. Then, one day, I just went. I had no idea if I could really sing, I just wanted to hear the sound I heard on the video...only from INSIDE it. That first day, I could have been singing with the worst chorus there is, but I was loving it. We sang a song they called an "uptune" and it was a rip-roarin gospel song. It had this really long bass note at the end (that's where they put me...bass) and I could hear all the other parts moving around my note. Just like the video! I was thrilled. After the rehearsal, one of the guys asked if I wanted to sing a tag.

"That's the last few measures of a song," he said. "A lot of times, we sing the whole song JUST to get to the tag!" he continued.

"Sure," I said with goosebumps started to form on my arm.

.......................

So, that's where it all started. I sang a tag with 3 other guys which I had never met before, but we all wanted the sang thing to happen in those next few moments. And it did. I still sing with the Mt. Baker Toppers chorus (www.topperschorus.org), 6 years later. I also keep busy with a quartet of my own, U4eeuh (www.u4eeuh.com) and the Northwest Vocal Project (www.vocalproject.com).

Singing has consumed most of my life now and I couldn't imagine not singing. I've been told I have a very smooth and unabrasive voice, which I attribute to my introverted personality which doesn't ever want to be abrasive or jagged. I constantly have to work on being an outgoing, confident person when I'm singing (you can fool your audience), but maintain that smooth, connected way of singing that barbershop is known for. I have had many more goosebump moments since that first rehearsal. 90% of them have been when singing for someone. You start singing about love and eternity, and all of the sudden you're not just singing notes and words anymore. You are singing life itself. You are actually telling this person listening, that the person THEY are thinking of their head really loves them, and that it is undeniable. THAT is the power of music...to tell someone the truth about something in such a way that there simply is no alternative. Sing life, and the the goosebumps follow you like your shadow.